Ah, thrashy hardcore goodness! One of my faves, the almighty SIBERIAN MEAT GRINDER, has unleashed a new album titled Versus The World.
Like the band's previous release Hail To The Tsar, SMG takes the listener on a ride of crossover madness peppered with metallic jams, punk rock, and grooving riff rock.
Songs such as From The Dust Returned and Die On The Road demonstrate what SMG does best, mixing favorite genres seamlessly, although I do wish they would utilize those tiny bits of crunchy traditional metal and swampy riffs more often. Still, it all freakin' rocks.
If this sounds like your cup of tea, then check out the album below and hit the band up on Facebook. However, if you don't like hardcore-laden heavy-ass music, then go here.
Wednesday, June 5, 2013
Saturday, June 1, 2013
I don't know much about them, but HumanHunter ROCKS!
Okay, who the hell is HumanHunter? I thought my online searching skills were at least up to an intermediate level of expertise, but the results I come up with for this metal band are minimal at best. Argh!!!
No matter. I had recently stumbled upon a couple of HumanHunter's songs on YouTube, both which provided a decent ass-kicking, so I'm passing them on to you.
Based on what we have here, HumanHunter leans toward the blackened thrash sound, offering a full-on assault of head banging riffs and rhythms, topped with undead-like vocals…like a specter vomiting sand, which is always cool.
The song Insomnia caught my attention with its driving mid-paced attack, but the pure bad-assery of the tune Angel's Death solidified me as a fan. The latter tune's first minute and a half treats the listener to a crushingly heavy riff stomp while vocalist David Lorente distorts his vocals to a maddening level. It works well, but then the song kicks into gear, hitting us with horns-up thrash and a catchy-as-hell sing-along chorus.
So far there are some classic moments to find on HH's self-titled 2011 release, but I just need to hear the rest!
Check out the tunes below and then shrug as you check out their MySpace page. Here's a bit more info on them. Anyone with additional info, kindly post in the comments section below.
No matter. I had recently stumbled upon a couple of HumanHunter's songs on YouTube, both which provided a decent ass-kicking, so I'm passing them on to you.
Based on what we have here, HumanHunter leans toward the blackened thrash sound, offering a full-on assault of head banging riffs and rhythms, topped with undead-like vocals…like a specter vomiting sand, which is always cool.
The song Insomnia caught my attention with its driving mid-paced attack, but the pure bad-assery of the tune Angel's Death solidified me as a fan. The latter tune's first minute and a half treats the listener to a crushingly heavy riff stomp while vocalist David Lorente distorts his vocals to a maddening level. It works well, but then the song kicks into gear, hitting us with horns-up thrash and a catchy-as-hell sing-along chorus.
So far there are some classic moments to find on HH's self-titled 2011 release, but I just need to hear the rest!
Check out the tunes below and then shrug as you check out their MySpace page. Here's a bit more info on them. Anyone with additional info, kindly post in the comments section below.
Sunday, May 19, 2013
Weekend Breakdown: Besieged and Leech
Brutal, brutal, BRUTAL. Winnipeg's BESIEGED hit that sickening sweet spot of kick-ass death-tinged thrash metal, making me shake my head in ecstatic disbelief. As I listen to their debut album Victims Beyond All Help, I am blown away by the sheer power of each song, belted out with uncompromising ferocity in attitude as well as musical competence.
Battering my ears with unmercifully fast riffs and bloodthirsty vocals, Besieged brilliantly intertwines the old-school deathrash of early-era Sepultura with the frenzied brutality of Demolition Hammer and Guillotine. Offering no time to catch one's breath, the band's debut storms the listener with thrash metal that sounds fresh as it does violently PISSED…you know, as it should be!
Indie label Unspeakable Axe will reissue Victims Beyond All Help on July 9th (it was previously self-released by the band), and if they can afford the band substantial reach within the metal community, I believe we'll see this album on quite a few "Best Of" lists for 2013.
Damn. Good. Metal.
Listen to the tracks below and then hit them up on Facebook.
LEECH, a New York metal band, utilizes many influences to solidify a sound that is absolutely face-melting. And I love to have my face melted!
The blend of east coast thrash and hardcore is brought to life with a strong injection of crushing Swedish death metal (sans the "buzzsaw" sound). Leech's merging of these genres sounds natural and effortless, resulting in a most brutal ass-kicking.
Vocalist Christian Geraldino fits Leech's musical delivery like a glove, offering up a touch of hardcore rhythms and gang shouts to complement his throaty thrash and death metal vocal assault.
Leech provides music to which a metal fan can positively RAGE. Wanna rage? Good! Check out the tunes below, download 'em for FREE, and then visit Leech here.
Saturday, May 4, 2013
Twisted Wrath ROCKS!
Yeah, I know my blog output has been rather pathetic lately, but I still have my feelers out, listening to tons of killer metal from around the world.
I'm just not writing about it. Blah.
Anyway, I'm stopping in for a quick "how-do-you-do?" and to let you all in on a killer metal band out of Ireland.
TWISTED WRATH is a driving mix of classic heavy metal and thrash. Drawing from a gamut of influences - from Testament to W.A.S.P. to Iron Maiden - these guys pull off some neck-damaging metal.
Vocalist Patrick Fitzgerald strays from the typical thrash bark, opting for a more Blackie Lawless output, and it works well with Twisted Wrath's brand of blended metal.
The guitars are tight, providing the crunch to well-constructed song structures and dynamics, all which could be easily utilized for a sonic face melting. We could all use one of those once in a while.
Twisted Wrath has generously provided their new EP "Madman's Chorus" on their Bandcamp page as a FREE download (or Name Your Price). Get it here.
Those of you who like a like little more old-school metal in your thrash should give these guys a listen. If you like what you hear, let 'em know about it!
I'm just not writing about it. Blah.
Anyway, I'm stopping in for a quick "how-do-you-do?" and to let you all in on a killer metal band out of Ireland.
TWISTED WRATH is a driving mix of classic heavy metal and thrash. Drawing from a gamut of influences - from Testament to W.A.S.P. to Iron Maiden - these guys pull off some neck-damaging metal.
Vocalist Patrick Fitzgerald strays from the typical thrash bark, opting for a more Blackie Lawless output, and it works well with Twisted Wrath's brand of blended metal.
The guitars are tight, providing the crunch to well-constructed song structures and dynamics, all which could be easily utilized for a sonic face melting. We could all use one of those once in a while.
Twisted Wrath has generously provided their new EP "Madman's Chorus" on their Bandcamp page as a FREE download (or Name Your Price). Get it here.
Those of you who like a like little more old-school metal in your thrash should give these guys a listen. If you like what you hear, let 'em know about it!
Thursday, May 2, 2013
Jeff Hanneman and the sound of Slayer
Today metal fans across the globe were shocked at the sudden news of Jeff Hanneman's death. Ever since he seemingly disappeared from the public's eye during his bout with necrotizing fasciitis, we still hoped that eventually everything would be back to normal, and we'd have our Slayer back.
New album. New tour. Original members.
After all, Slayer…f*cking SLAYER…is something that is set in stone. Never ending and forever. A pioneering band that not only helped spawn thrash, but created riffs that would in turn create hundreds of bands looking to recreate that sound.
That SOUND. Holy sh*t. You know it when you hear it. The Slayer sound. The four ingredients to that sonic brutality were Araya, Hanneman, King, and Lombardo, all key factors in establishing a solid foundation of metal in its purest form. Bold, scary, and completely kick-ass.
Reign In Blood came out a full year before I gained my thrash wings. I had broke ground as a Slayer fan with South of Heaven, but before I bought the now classic album, I remember being vaguely afraid of Slayer. Afraid? Scared? Okay, that sounds a bit melodramatic, but I definitely saw them as an ominous group of musicians…the kind from which I should probably stay far away.
At least that was my perception at the time. At 15 years-old, I was deep into Metallica, living and breathing Master of Puppets, and had just picked up Suicidal Tendencies' How Will I Laugh Tomorrow…? album. D.R.I.'s 4 of a Kind had hit, and there was no turning back for me. I wanted faster and heavier!
South of Heaven had been released, and I still remained a curious arm-length's distance away. It wasn't until a TV commercial aired, containing a snippet of Slayer playing the album's title track, that made me turn my head and say, "I want that!"
I want that…the Slayer SOUND. Stemming from Show No Mercy and Hell Awaits, perfected with Reign In Blood, and grew to unstoppable proportions with South of Heaven and Seasons in the Abyss.
Four ingredients. One sound.
The sound that influenced multitudes of thrash and death metal bands. Would early Sepultura sound the same without Slayer? Would the breakdown in Dead Embryonic Cells exist without the blueprint from Raining Blood?
Sorry. Retreading the impact Slayer has on metal would be reiterating the obvious, but it's still hard not to go down that path. However, it's impressive that Slayer remains a viable and thriving influence after 30-plus years. Especially for a type of music that was never intended to achieve more than underground status.
But this type of music did bust out of the underground. After all, we have the Big Four. Some folks look at the "Big Four" concept as a bit cheesy, but I sure as hell don't. The four biggest selling thrash bands from back in the heyday of metal are monuments of what was a f*cking awesome time to be a metal head.
Slayer was one of those four bands. Hanneman, as one of the four members of Slayer, was important to the sound and legacy of thrash metal as we know it today. He will be missed, but the sound he helped create lives stronger than ever today in the many, many bands influenced by Slayer.
Slayer. Set in stone. Never ending and forever.
Thanks for the music, Jeff.
New album. New tour. Original members.
After all, Slayer…f*cking SLAYER…is something that is set in stone. Never ending and forever. A pioneering band that not only helped spawn thrash, but created riffs that would in turn create hundreds of bands looking to recreate that sound.
That SOUND. Holy sh*t. You know it when you hear it. The Slayer sound. The four ingredients to that sonic brutality were Araya, Hanneman, King, and Lombardo, all key factors in establishing a solid foundation of metal in its purest form. Bold, scary, and completely kick-ass.
Reign In Blood came out a full year before I gained my thrash wings. I had broke ground as a Slayer fan with South of Heaven, but before I bought the now classic album, I remember being vaguely afraid of Slayer. Afraid? Scared? Okay, that sounds a bit melodramatic, but I definitely saw them as an ominous group of musicians…the kind from which I should probably stay far away.
At least that was my perception at the time. At 15 years-old, I was deep into Metallica, living and breathing Master of Puppets, and had just picked up Suicidal Tendencies' How Will I Laugh Tomorrow…? album. D.R.I.'s 4 of a Kind had hit, and there was no turning back for me. I wanted faster and heavier!
South of Heaven had been released, and I still remained a curious arm-length's distance away. It wasn't until a TV commercial aired, containing a snippet of Slayer playing the album's title track, that made me turn my head and say, "I want that!"
I want that…the Slayer SOUND. Stemming from Show No Mercy and Hell Awaits, perfected with Reign In Blood, and grew to unstoppable proportions with South of Heaven and Seasons in the Abyss.
Four ingredients. One sound.
The sound that influenced multitudes of thrash and death metal bands. Would early Sepultura sound the same without Slayer? Would the breakdown in Dead Embryonic Cells exist without the blueprint from Raining Blood?
Sorry. Retreading the impact Slayer has on metal would be reiterating the obvious, but it's still hard not to go down that path. However, it's impressive that Slayer remains a viable and thriving influence after 30-plus years. Especially for a type of music that was never intended to achieve more than underground status.
But this type of music did bust out of the underground. After all, we have the Big Four. Some folks look at the "Big Four" concept as a bit cheesy, but I sure as hell don't. The four biggest selling thrash bands from back in the heyday of metal are monuments of what was a f*cking awesome time to be a metal head.
Slayer was one of those four bands. Hanneman, as one of the four members of Slayer, was important to the sound and legacy of thrash metal as we know it today. He will be missed, but the sound he helped create lives stronger than ever today in the many, many bands influenced by Slayer.
Slayer. Set in stone. Never ending and forever.
Thanks for the music, Jeff.
Wednesday, April 24, 2013
The new EVILE track "Underworld" is streaming now!
Decibel Magazine is streaming a new track from new wave of thrash big hitters EVILE.
The song, titled Underworld, is a more than promising peek at the band's upcoming album "Skull", to be released on May 27th.
Man, I really dig this cut. Underworld is a full-on thrasher, not meant to stray into tedious roads of contrived prog or heady musical statements. No, this one grabs by the arm, rips it out, and dines on it.
If you want to check it out, and by all means you really should, head over to Decibel Magazine for a taste of Skull!
Come on May 27th!!
Monday, April 22, 2013
Happy Condition Critical Day!
Within an enigmatically reasoned Facebook post, last year I dubbed this day (April 23rd) Condition Critical Day. Why? I don't remember. I must of been sickly excited about something the New Jersey thrash band did, and probably made the holiday declaration as a well-intended joke. Yet that declaration stuck in my head, and here we are a year later.
So, you know…Happy Condition Critical Day!
Now although the NWOTM Blog was hoping the band's new album Operational Hazard would be out right now to help commemorate this special made-up holiday, you can still celebrate by downloading their "Bred to Kill" demo and promo song "Random Acts of Killing" for free from their Facebook page.
While you're there, wish the band a Happy Condition Critical Day as well. I don't think they know anything about this, and it might be fun to confuse the hell out of 'em.
Thrash and be merry!
So, you know…Happy Condition Critical Day!
Now although the NWOTM Blog was hoping the band's new album Operational Hazard would be out right now to help commemorate this special made-up holiday, you can still celebrate by downloading their "Bred to Kill" demo and promo song "Random Acts of Killing" for free from their Facebook page.
While you're there, wish the band a Happy Condition Critical Day as well. I don't think they know anything about this, and it might be fun to confuse the hell out of 'em.
Thrash and be merry!
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