Even if the naysayers scoff at Lich King for being unoriginal or too goofy to be taken seriously, one would still have to admit there is an appeal to Lich King's music, whether one understands it or not.
Personally, I understand the music's appeal for me. I freakin' enjoy old-school thrash metal, and Lich King knows how to write a kick-ass song. Period.
Way back when Lich King released "Combat Mosh" as a teaser to the new album, the driving riffs and head banging dynamics had my mouth watering to hear more. That was approximately one year ago, so it's a good thing I didn't hold my breath until Born of the Bomb's release. In fact, I remember thinking what the hell was taking so long in popping that new album out…you know, since I am Mr. Impatient. I mean, Lich King offers up a couple samples to taste and an absolutely killer album cover, and they expect me to calmly wait while they seemingly stall the recording process (something I seriously doubt they did)?
Now although I was impressed with the teaser songs (which also included Wage Slave and the fantastic We Came to Conquer), I wasn't expecting anything more or anything less from the new Lich King album than a few well-written thrash tunes ranging from good to great which will occupy my car CD player for the next month or two as I drive to and from work.
Well, scratch that sh*t right now. I may not have been expecting anything more from BotB than a few well-written thrash tunes, but what I got instead is a monster of a metal album that will most certainly do more than occasionally occupy my car CD player. What I got is a full-on solid slab of hungry thrash metal that will rule in my music listening rotation for a long time to come.
From the get-go, I really dug the short, sweet, and heavy-as-hell opener All Hail. However, I freakin' knew I hit pay dirt with this album once the two following familiar songs lead into In The End, Devastation. This track is the teeth-gritting stomp and blistering thrash attack I crave in my metal. The chugging riffs actually bring to mind early Pro-Pain and vocalist Tom Martin's use of dynamics between his vocal rhythms and the music's metal onslaught is perfection.
Other highlights include Agnosticism, which at first was my only weak link on the album until the actual music of the track sunk in and completely infected me. The song's initial build-up to an incursion of stomping thrash is mirrored in pure awesomeness by the solo sections of impactful musical prowess. i.e. It's bad-ASS.
Another killer track is Axe Cop, a razor-sharp thrash smasher with a chorus fans will definitely shout while submerged within the song's insanity.
The closer, Lich King IV (Born of the Bomb) ups the dosage of brain-sick riffage and pure thrash tempos that will make even the most hardened Vio-lence fan smile.
So yes, I may have been whining about how long it took to finally hear the full album after the first teaser release, however, I have to keep in mind that top-notch takes time. What's better than top-notch thrash, right? With Born of the Bomb, Lich King stepped up the quality and created a herculean thrash metal album more than worthy of our time as fans of the genre.
So why isn't Lich King getting a well-earned push by a solid record label? I don't know, but it's their loss. Absolutely one of the best of 2012.
Lich King's Facebook page.
Buy Born of the Bomb here.
